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“ Seven Digital Deadly Sins: A collaboration between the National Film Board of Canada and the Guardian.
“ Pride, lust, greed, gluttony, envy, wrath and sloth – the seven deadly sins have been with us for hundreds of years. Today’s digital...
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Seven Digital Deadly Sins: A collaboration between the National Film Board of Canada and the Guardian.

Pride, lust, greed, gluttony, envy, wrath and sloth – the seven deadly sins have been with us for hundreds of years. Today’s digital world brings with it a whole new set of moral dilemmas. From the greed-driven world of the high frequency trader to the envy of the anonymous troll, from the Instagram food bore to the dad who e-spies on his kids, this interactive documentary looks at how technology is reshaping our beliefs and everyday lives.

Most of us still struggle with these new challenges: is it OK to download every movie you watch for free? Are you coming across just a little bit pleased with yourself on Facebook? Is your addiction to property websites (in particular, modernist pads in the Hollywood Hills) fuelling powerful feelings of envy – and since when did Twitter become so much more interesting than your flesh-and-blood, right-there-across-the-table-from-you boyfriend?

The Seven Digital Deadly Sins pulls together the confessions of seven familiar faces (novelist Gary Shteyngart, folk musician and activist Billy Bragg, comics Josie Long, Ophira Eisenberg and Bill Bailey, actress/comedian Mary Walsh, and writer and broadcaster Jon Ronson) alongside 20 first-person stories from a wide range of contributors (a secret Twitter star, a hacker, a couple whose wedding invite went viral). Some of these stories are extraordinary; many of them admit to behaviour we all recognise – from Bragg’s admission that he loses entire days watching YouTube fail videos, to Jon Ronson’s guilt (and a little glee) at having flamed enemies online.

Source: digital-deadly-sins.theguardian.com
LOU REED, 71″ by Byron Coley LOU REED, 71 the easiest heroes are consistent
but the ones who really shape us
are random maniacs
whose work we stumble across
at times in our lives
we desperately need misdirection and so it was i met the music of lou reed
through a guy named buzz
who’d bought the first velvets album
but didn’t like it
just the way he hadn’t liked the first mothers album
a month earlier
which meant i got each for a buck there is literally no way to describe
the way that record hit me
i was a ten year old seventh grader
and the first time i played the album
i was transformed into someone else
someone who knew more than my contemporaries
even if i couldn’t quite shake it all out lou and john and sterling and moe
gave me much more info
than i could understand
but they did it in a way
i loved so intuitively
with music exploding in such amazing directions
it made sense on a molecular level and through the years i followed lou
good scenes, bad scenes, he put us through it all
but we kinda paid attention
because, after all
this motherfucker
this lou reed this electroshocked cocksucking bastard
who put out many more lousy records than good
was the father of everyone i’ve ever known
and i never thought he’d die
and i really miss him more than i ever thought i would — Byron Coley
Source: arthurmag.com lou reed